Since then, The Phantom of the Opera has won over 50 major theatre awards. Sarah premiered the role at Her Majesty’s Theatre in London on and at the Majestic Theatre on in New York. Having originated and defined the female lead role, it’s not surprising that Sarah will probably always be regarded as the quintessential Christine in this landmark musical. Written by Andrew Lloyd Webber during his marriage to Sarah, The Phantom of the Opera is perhaps the musical theatre production that best showcases Sarah’s uncannily broad vocal range. Oh, Raoul Bravo, monsieur, such spirited words! More tricks, monsieur? Let's see, monsieur, how far you dare go! More deception! More violence! Raoul, no! That's right, that's right, Monsieur! Keep walking this way! You can't win her love by making her your prisoner! Raoul! No, stay back! I'm here, I'm here, Monsieur: the angel of death! Come on, come on, Monsieur! Don't stop, don't stop! Raoul! Come back.This original London cast recording was the first in British musical history to enter the charts at number one. Christine! Christine, listen to me! Whatever you may believe, this man -this thing-is not your father! (to the PHANTOM) Let her go! For God's sake, let her go! Christine ! I am your Angel of Music Come to me: Angel of Music Angel of darkness! Cease this torment! I am your Angel of Music Come to me: Angel of Music Angel of Music! You/I denied me/you Turning from true beauty Angel of Music! Do not shun me/My protector Come to your strange Angel Yet your/the soul Obeys To the arms of her Angel, Angel or demon? Still he calls her Luring her back from the grave, Angel or dark seducer? Who are you, strange Angel?
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